Remoto's Playback 1.9 update introduces Capture Agent, which streams from secure studio workstations without physical access. Windows support and a new SRT/WebRTC streaming infrastructure are also new ...

How Lux Aeterna used LiDAR and a proxy-first pipeline amongst other tools to deliver high-end VFX for Netflix's Squid Game: The Challenge Season 2. [This case study came to us via Lux Aeterna and ...

Neutrik's new TRUE1 DATA Connector Series brings a unified ruggedized platform to USB-C, RJ45, and fiber connectivity — one chassis format, three connector types, available June 2026. Neutrik has ...

Matrox used NAB 2026 to demonstrate a broad range of IP encoding, conversion, and KVM technology, with Dan Maloney presenting at the company's booth across four main product areas. Matrox Video is one ...

The global RAM and NAND shortage driven by AI demand means that creators will feel the impact first through storage and workflow costs before then camera prices rise. The global memory crunch that ...

Aiarty Video Enhancer applies AI denoising, detail reconstruction, and 4K upscaling to legacy and low-resolution footage. All processing runs locally, with no cloud upload required. Every video ...

It's been a busy week or so at Apple, so it gets its own section up at the front. WWDC 2026 starts on June 8. Apple blandly says, “WWDC26 will spotlight incredible updates for Apple platforms, ...

Avid has partnered with Google Cloud to bring Gemini-powered agentic AI into Media Composer and Content Core — but how deep will the initial integration go? Avid has announced a multi-year strategic ...

Six new focal lengths join SIRUI's VP-1 and IronStar families, from a 15mm wide-angle to a 135mm anamorphic prime, all due in H2 2026. SIRUI has expanded both its Vision Prime 1 and IronStar lineups ...

Cinematographer Caleb Heymann breaks down the creative and technical choices behind Stranger Things Season 5, from camera and lens choice to lighting strategy, scale, and key 1980s visual influences.

A quick list of updates from Eddie AI ahead of NAB turns out not to be that quick, as there is a lot to cover.

Filmmakers have used all kinds of tricks over the years to show low or zero gravity on screen, from wire work to underwater shooting, and more recently even blasting off to capture the real thing.